Pauline Kael’s 1969 review displayed special venom for Natalie Wood as someone who “could benefit from the [Esalen] therapy” and is generally completely “empty.” While this may be true, somehow Wood’s emptiness works here. Let’s face it, this movie might not have gotten made without Natalie Wood’s star power (for which she took 10% of the gross), and empty or not, she looks fantastic strutting around variously in a mini-skirt, bathing suit, or just her underwear. (She also seems like an old hand in the scene where they smoke a marijuana pipe.) The Satirist.
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