By the mid-1950s Natalie Wood was entering what would—for most child actors—have been the “awkward age” verging on young adulthood. But the awkwardness seemed to miss Wood. In 1955 Warner Bros. cast her opposite James Dean in “Rebel Without a Cause,” and she was nominated for a supporting actress Oscar. LA Times.
24 Femmes Per Second: nouveaux postes de belles femmes chaque semaine; weekly posts of beautiful women; posti settimanali di belle donne; wöchentliche Beiträge der schönen Frauen; vecko inlägg av vackra kvinnor.
24 Femmes Per Second: nouveaux postes de belles femmes chaque semaine; weekly posts of beautiful women; posti settimanali di belle donne; wöchentliche Beiträge der schönen Frauen; vecko inlägg av vackra kvinnor.
24 Femmes Per Second: nouveaux postes de belles femmes chaque semaine; weekly posts of beautiful women; posti settimanali di belle donne; wöchentliche Beiträge der schönen Frauen; vecko inlägg av vackra kvinnor.
Susan Kohner: born 11 November 1936, Los Angeles USA. On screen 1955 – 1964; nominated 1960 Academy Awards – Best Actress in a Supporting Role: ‘Imitation of Life’ (1959). Retired from acting after marrying John Weitz (1923 – 2002) – fashion designer, novelist, biographer, yachtsman and racing driver.
Natalie Wood is very pleasant to behold, even though a pained expression is about all she is required to project here. Susan Kohner is not very convincing in her efforts to appear alternately gay, bored and distressed. Even less at ease are Robert Wagner and George Hamilton in a pair of incredibly unmasculine roles. Best emoting is done by Pearl Bailey, but even she can barely cope with a preposterous role of a celebrated blues singer who dies of a broken heart when jilted by that man who played horn for her. Variety.
24 Femmes Per Second: nouveaux postes de belles femmes chaque semaine; weekly posts of beautiful women; posti settimanali di belle donne; wöchentliche Beiträge der schönen Frauen; vecko inlägg av vackra kvinnor.
Natalie Wood (1938 – 1981) in Cash McCall (1960)
24 Femmes Per Second: nouveaux postes de belles femmes chaque semaine; weekly posts of beautiful women; posti settimanali di belle donne; wöchentliche Beiträge der schönen Frauen; vecko inlägg av vackra kvinnor.
Susan Kohner: born 11 November 1936, Los Angeles USA. On screen 1955 – 1964; nominated 1960 Academy Awards – Best Actress in a Supporting Role: ‘Imitation of Life’ (1959). Retired from acting after marrying John Weitz (1923 – 2002) – fashion designer, novelist, biographer, yachtsman and racing driver.
24 Femmes Per Second: nouveaux postes de belles femmes chaque semaine; weekly posts of beautiful women; posti settimanali di belle donne; wöchentliche Beiträge der schönen Frauen; vecko inlägg av vackra kvinnor.
Natalie Wood is very pleasant to behold, even though a pained expression is about all she is required to project here. Susan Kohner is not very convincing in her efforts to appear alternately gay, bored and distressed. Even less at ease are Robert Wagner and George Hamilton in a pair of incredibly unmasculine roles. Best emoting is done by Pearl Bailey, but even she can barely cope with a preposterous role of a celebrated blues singer who dies of a broken heart when jilted by that man who played horn for her. Variety.
24 Femmes Per Second: nouveaux postes de belles femmes chaque semaine; weekly posts of beautiful women; posti settimanali di belle donne; wöchentliche Beiträge der schönen Frauen; vecko inlägg av vackra kvinnor.
Natalie Wood and Robert Wagner’s best film together. All the Fine Young Cannibals (1960) based on the novel The Bixby Girls by Rosamond Marshall, supposedly loosely based on the life of jazz trumpeter Chet Baker. Natalie stars with then husband Robert Wagner and makes the prettiest and best made-up dirt poor backwoods girl ever seen in the movies.
24 Femmes Per Second: nouveaux postes de belles femmes chaque semaine; weekly posts of beautiful women; posti settimanali di belle donne; wöchentliche Beiträge der schönen Frauen; vecko inlägg av vackra kvinnor.
