Anna Karina, Star of French New Wave Cinema, Is Dead at 79. Best known for her work with Jean-Luc Godard, she also appeared in films by Visconti, Fassbinder and others, as well as pursuing a singing career and writing four novels.
Making her first film in her teens, Ms. Karina started at the top: Godard’s “Le Petit Soldat” (“The Little Soldier”), about terrorism during the French-Algerian War. The film, shot in 1960, was not released until 1963 because of censorship. Between those two events, Ms. Karina won the 1961 best actress award at the Berlin International Film Festival for Godard’s “Une Femme Est Une Femme” (“A Woman Is a Woman”), in which she played an unmarried stripper who wants to have a baby.
Her other full-length Godard films, released between 1961 and 1966, were “Vivre Sa Vie” (“My Life to Live”), about a young woman who drifts into prostitution; “Bande à Part” (“Band of Outsiders”), a crime comedy about a romantic triangle and a burglary; “Pierrot le Fou,” a crime drama about a bored husband on the run with his former mistress, an arms smuggler; “Alphaville,” a science-fiction tale set in a loveless dystopian future; and “Made in U.S.A.,” a crime comedy set in Atlantic-Cité, a fictional French town.
She went on to make about three dozen other films, and took up directing with the 1973 film “Vivre Ensemble.” “I wanted to see if I could do it. That’s all,” she told The Guardian decades later. She also directed, wrote and starred in her last film, “Victoria” (2008), about a woman with amnesia traveling in Canada.
Ms. Karina also pursued a singing career, with late-1960s hits like “Sous le Soleil Exactement” and “Roller Girl,” both written by Serge Gainsbourg. And she wrote four novels, including “Golden City” (1983), which she described to the quarterly Film Comment as “a kind of thriller, with gangsters.”
Hanne Karin Bayer was born on Sept. 22, 1940, in Solbjerg, Denmark, a suburban town on the country’s east coast. Her father left the family a year after her birth. Her mother ran a dress shop.
Hanne lived with her maternal grandparents for three years and was in foster care for four years but eventually went back to live with her mother.
She dropped out of school at 14, sang in cabarets and worked as a television model. At 17, she ran away from home — hitchhiking to Paris — and was discovered by the casting director of an advertising agency while sitting at Les Deux Magots, the fashionable Left Bank cafe. During a photo shoot for Elle magazine, she met the fashion designer Coco Chanel, who advised her to change her name.
Godard, a film critic at the time, saw her in a movie theater ad for a Palmolive bath product. When he subsequently offered her a small part in his first full-length film, “Breathless” (1960), she objected to doing a nude scene. Godard said he didn’t understand — after all, he had just seen her onscreen in a bathtub, looking very comfortable and showing plenty of skin.
“I wasn’t nude,” she told him, according to a 2016 interview with Vogue magazine. “That was your imagination.” She had been wearing a swimsuit in the tub, she said, and “the soapsuds were up to my neck.”
Godard called again and cast her in his next film, “Le Petit Soldat.” Because she was a minor at the time, she had to seek permission from her estranged mother, who flew to Paris to sign the contract.